Things I Love

a few of my favourite things...
Love it.
dorrellm:

Farag

Love it.

dorrellm:

Farag

fuckyeahbookarts:

Moleskine Sketches by Erika Kuhn

The more I look through her work, the more I fall in love with her visual style. 

tuesday-johnson:

ca. 1870-79, [tintype portrait of a pantomimist]
via the Metropolitan Museum of Art, Photographs Collection

tuesday-johnson:

ca. 1870-79, [tintype portrait of a pantomimist]

via the Metropolitan Museum of Art, Photographs Collection

(via fuckyeahvictorians)

tuesday-johnson:

ca. 1860-1890, [portrait of Millie and Christine McKoy, conjoined twins, billed as “Millie-Christine, the Two-Headed Nightingale”]
via the British Museum, Africa, Oceania & the Americas Department

tuesday-johnson:

ca. 1860-1890, [portrait of Millie and Christine McKoy, conjoined twins, billed as “Millie-Christine, the Two-Headed Nightingale”]

via the British Museum, Africa, Oceania & the Americas Department

(via fuckyeahvictorians)

maudelynn:

I don’t know what is going on in this daguerreotype, but I like it.

maudelynn:

I don’t know what is going on in this daguerreotype, but I like it.

(via fuckyeahvictorians)

genderfucking at its finest
katalepsja:

I truly regret that Andrej Pejic doesn’t have facial hair. Jack Shaw, as we see on this photo has a two-day stubble, which gives a lovely mindfuck, when you realize the girl you’re looking at is not actually female. Love it.

genderfucking at its finest

katalepsja:

I truly regret that Andrej Pejic doesn’t have facial hair. Jack Shaw, as we see on this photo has a two-day stubble, which gives a lovely mindfuck, when you realize the girl you’re looking at is not actually female. Love it.

fuckyeahbookarts:

Mixed-Media Installations by Annette Messager

“Mainly known for her installation work, French artist Annette Messager often incorporates photographs, prints and drawing into a final sculptural project.”

tuesday-johnson:

ca. 1882-86, [carte de visite portrait of sideshow performer Ella Harper, “The Camel Girl”], Charles Eisenmann
Handwritten on verso: 

“Ella Harper Age 13. Born in Hendersonville, Tenn. I am called the Camel Girl because as you see that my knees turn backwards. I can walk the best on my hands & feet as you see me in this picture. I have traveled considerably in the Show business for the last 4 years. And now as this is 1886, I now intend to quit the Show business and go to school and fit my self for some other occupation.”

via Syracuse University Library, Ronald G. Becker Collection of Charles Eisenmann Photographs

tuesday-johnson:

ca. 1882-86, [carte de visite portrait of sideshow performer Ella Harper, “The Camel Girl”], Charles Eisenmann

Handwritten on verso:

“Ella Harper Age 13. Born in Hendersonville, Tenn. I am called the Camel Girl because as you see that my knees turn backwards. I can walk the best on my hands & feet as you see me in this picture. I have traveled considerably in the Show business for the last 4 years. And now as this is 1886, I now intend to quit the Show business and go to school and fit my self for some other occupation.”

via Syracuse University Library, Ronald G. Becker Collection of Charles Eisenmann Photographs

(via fuckyeahvictorians)

exposure24:

A Cartes de Visite protype by Julia Frost
a sneak peek at my work for the upcoming exposure 24 exhibition

exposure24:

A Cartes de Visite protype by Julia Frost

a sneak peek at my work for the upcoming exposure 24 exhibition